Retrospective Exhibit MAM-group collective No
From: Notimex made a retrospective review of this group in the field of conceptual art object-based practices promoted, "performative" and processual, said Sun Henaro, curator of the exhibition.
Through 13 thematic units, will be shown about 300 pieces, including documents, visual records of actions and works as well as numerous graphs that represent concept maps, timelines and information to provide an objective view and teaching processes and artistic projects of the late twentieth century. Sol
Henaro explained that this is a research project initiated in 2003, which were reviewed various documents of that generation to try to generate a complete file to an understanding of general reading. a matter of its members, "served as a workshop of criticism, of attitudes and positions."
He said that the foundation of non-participation was important group of artists Andrea di Castro, Hersúa, Sandra Isabel Llano, Katya Mandoki, Roberto RealHair of Sierra Leon and Susan, however, they left the group shortly.
-Group was not the permanence of Maris Bustamante, Melquiades Herrera, Alfredo Nunez and Ruben Valencia, who shaped the production of the group during its six years of action and even dissolved, continued with the approach that characterized them as a group. According
Henaro, Non-Group made several montages of moments plastics (actions or performances) to openly criticize the lethargy that reigned during the 70 structures in some of the art, for those who made heterogeneous objects distributed among the public who had the ability to use and intervene during the actions. 
"What we tried to do was present a device so enriched for younger generations," I was interested in questioning the history of art and try to jiggle as well, as in the construction processes of memory leak many interests and there are times that certain initiatives take place and others are diluted. " 
This shows, he added, represents an exercise to challenge the recent history of Mexican art and seek a report on the matter. MAM recalled that the Non-Group presented some of his mounts plastic moments such as "Attack the prodigal son in 1979," The Death of performance "in 1980 and" Hot! Caliente! "With the Venezuelan artist Carlos Zerpa in 1982. 
stated that these records are significant for it is again the Museum of Modern Art, the space that allows the revision of this group, who spoke on three occasions in this place. 
mentioned that No-Party opposed the idea of \u200b\u200b"celebrity" artist, as its members carried out works aimed at demystifying cultural producers. Sol Henaro added that resisted the importation of styles, trends and concepts from cultural epicenters, assiduous practice described by Rubén Valencia as "conceptual fayuca."
"Unlike individual or group initiatives to position their empathy and research with hegemonic movements, non-influence group recognized as one of the first Mexican avant-garde of the early twentieth century, the raucous, playful attitude that biting and desire to produce objects situations be identified. "
"conceptual practice of Non-Group found the complicity of the Peruvian Juan Acha theorist, who coined the concept of No-objectualism and directed the First Symposium of Art-Objectual not held in Medellin, Colombia, in 1981," said .
After its dissolution in 1983, several members of the Non-Group continued rebellious aesthetic activity and formed other groups that updated and argue about the language of art-not the object, as it was "powder black hen."
According to AMS officials, published a book that compiles first documentary information generated by Non-Group.
This volume will integrate research curator Henaro Sol and quotes from those who were class members, artists and people close to it, besides a lot of time facsimile documents that illustrate the 80 percent of the text
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